Fine Print: Day of the Dead, Mexico City, Mexico, November 1st, 1984
Describing himself as a âhistorian of the presentâ, Abbas dedicated himself to documenting the political and social life of societies in conflict. In a career that spanned six decades, he covered wars and revolutions in Biafra, Bangladesh, Northern Ireland, Vietnam, the Middle East, Chile, Cuba, and South Africa during apartheid. The result of a process described by Abbas as âwriting with lightâ, his images occupy a niche that spans both photojournalism and art. Pictured here, a little girl holds skulls over her eyes during the Day of the Dead.
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Fine Print: Day of the Dead, Mexico City, Mexico, November 1st, 1984
Fine Print: Day of the Dead, Mexico City, Mexico, November 1st, 1984
Describing himself as a âhistorian of the presentâ, Abbas dedicated himself to documenting the political and social life of societies in conflict. In a career that spanned six decades, he covered wars and revolutions in Biafra, Bangladesh, Northern Ireland, Vietnam, the Middle East, Chile, Cuba, and South Africa during apartheid. The result of a process described by Abbas as âwriting with lightâ, his images occupy a niche that spans both photojournalism and art. Pictured here, a little girl holds skulls over her eyes during the Day of the Dead.
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Describing himself as a âhistorian of the presentâ, Abbas dedicated himself to documenting the political and social life of societies in conflict. In a career that spanned six decades, he covered wars and revolutions in Biafra, Bangladesh, Northern Ireland, Vietnam, the Middle East, Chile, Cuba, and South Africa during apartheid. The result of a process described by Abbas as âwriting with lightâ, his images occupy a niche that spans both photojournalism and art. Pictured here, a little girl holds skulls over her eyes during the Day of the Dead.





