Fine Print: Girl at the flower shop. New York, 1958
After quitting LIFE magazine in 1954, W. Eugene Smith moved into a shabby loft in New Yorkās flower district. Smith described the broken window as āthe proscenium arch with me on the third stage looking through it, ⦠and the whole audience in performance down before me, an everchanging pandemonium of delicate details and habitual rhythms.ā LIFE published this work, āAs From My Window I Sometimes Glance,ā under the headline āDrama Beneath a City Windowā on March 10, 1958, and in its 1978 book Great Photographic Essays from LIFE. The caption read: āBursting from the floristās in what was probably her Communion dress, the girl seemed a Dresden figurine come alive. Amid cityās tired things ā ashcan, hydrant, battered flower stands ā she became a creature of lovely fantasy. āFor the moment,ā Smith remembers, āshe took over the scene. Everyone turned to look at her.ā Then she was gone.ā
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Fine Print: Girl at the flower shop. New York, 1958
Fine Print: Girl at the flower shop. New York, 1958
After quitting LIFE magazine in 1954, W. Eugene Smith moved into a shabby loft in New Yorkās flower district. Smith described the broken window as āthe proscenium arch with me on the third stage looking through it, ⦠and the whole audience in performance down before me, an everchanging pandemonium of delicate details and habitual rhythms.ā LIFE published this work, āAs From My Window I Sometimes Glance,ā under the headline āDrama Beneath a City Windowā on March 10, 1958, and in its 1978 book Great Photographic Essays from LIFE. The caption read: āBursting from the floristās in what was probably her Communion dress, the girl seemed a Dresden figurine come alive. Amid cityās tired things ā ashcan, hydrant, battered flower stands ā she became a creature of lovely fantasy. āFor the moment,ā Smith remembers, āshe took over the scene. Everyone turned to look at her.ā Then she was gone.ā
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After quitting LIFE magazine in 1954, W. Eugene Smith moved into a shabby loft in New Yorkās flower district. Smith described the broken window as āthe proscenium arch with me on the third stage looking through it, ⦠and the whole audience in performance down before me, an everchanging pandemonium of delicate details and habitual rhythms.ā LIFE published this work, āAs From My Window I Sometimes Glance,ā under the headline āDrama Beneath a City Windowā on March 10, 1958, and in its 1978 book Great Photographic Essays from LIFE. The caption read: āBursting from the floristās in what was probably her Communion dress, the girl seemed a Dresden figurine come alive. Amid cityās tired things ā ashcan, hydrant, battered flower stands ā she became a creature of lovely fantasy. āFor the moment,ā Smith remembers, āshe took over the scene. Everyone turned to look at her.ā Then she was gone.ā























