Fine Print: Goldfish bowl. Santorini, Greece, 1937
Herbert List left Germany in the 1930s. He embarked on extensive travels through Greece and Italy, stopping in London and Paris in a search for his language of form between New Objectivity and Surrealism. Immersed in the classical architecture of Athens and the surrealistsā paintings of De Chirico and Max Ernst, List tenaciously produced works focused on form and composition. He used the Mediterranean light to transform mundane objects into surreal compositions.
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Fine Print: Goldfish bowl. Santorini, Greece, 1937
Fine Print: Goldfish bowl. Santorini, Greece, 1937
Herbert List left Germany in the 1930s. He embarked on extensive travels through Greece and Italy, stopping in London and Paris in a search for his language of form between New Objectivity and Surrealism. Immersed in the classical architecture of Athens and the surrealistsā paintings of De Chirico and Max Ernst, List tenaciously produced works focused on form and composition. He used the Mediterranean light to transform mundane objects into surreal compositions.
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Herbert List left Germany in the 1930s. He embarked on extensive travels through Greece and Italy, stopping in London and Paris in a search for his language of form between New Objectivity and Surrealism. Immersed in the classical architecture of Athens and the surrealistsā paintings of De Chirico and Max Ernst, List tenaciously produced works focused on form and composition. He used the Mediterranean light to transform mundane objects into surreal compositions.























