IKONAR: Archival Constellations
Ikonar is a nickname given to Josef Koudelka by a group of Roma he encountered. It refers to him as a âmaker of iconsâ, because they used his famous photographs of Roma communities as quasi-religious icons in their place of prayer. However, Koudelka is not merely a globally respected âmaker of photographsâ, he is also a prolific âcollector of imagesâ. IKONAR: Archival Constellations, which covers the period from 1960 to 2012, makes a range of materials available, some of them unpublished. They were selected from the 30,000-plus 35 mm contact sheets in Koudelkaâs archive. Published in conjunction with the exhibition at Photo ElysĂ©e in Lausanne, it presents portfolios of core series of his work shot in 35 mm format, interleaved with seven thematic constellations that are a logical extension of his archive. It thus allows parallel visual explorations of his work and the evolving processes of creation.
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IKONAR: Archival Constellations
IKONAR: Archival Constellations
Ikonar is a nickname given to Josef Koudelka by a group of Roma he encountered. It refers to him as a âmaker of iconsâ, because they used his famous photographs of Roma communities as quasi-religious icons in their place of prayer. However, Koudelka is not merely a globally respected âmaker of photographsâ, he is also a prolific âcollector of imagesâ. IKONAR: Archival Constellations, which covers the period from 1960 to 2012, makes a range of materials available, some of them unpublished. They were selected from the 30,000-plus 35 mm contact sheets in Koudelkaâs archive. Published in conjunction with the exhibition at Photo ElysĂ©e in Lausanne, it presents portfolios of core series of his work shot in 35 mm format, interleaved with seven thematic constellations that are a logical extension of his archive. It thus allows parallel visual explorations of his work and the evolving processes of creation.
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Ikonar is a nickname given to Josef Koudelka by a group of Roma he encountered. It refers to him as a âmaker of iconsâ, because they used his famous photographs of Roma communities as quasi-religious icons in their place of prayer. However, Koudelka is not merely a globally respected âmaker of photographsâ, he is also a prolific âcollector of imagesâ. IKONAR: Archival Constellations, which covers the period from 1960 to 2012, makes a range of materials available, some of them unpublished. They were selected from the 30,000-plus 35 mm contact sheets in Koudelkaâs archive. Published in conjunction with the exhibition at Photo ElysĂ©e in Lausanne, it presents portfolios of core series of his work shot in 35 mm format, interleaved with seven thematic constellations that are a logical extension of his archive. It thus allows parallel visual explorations of his work and the evolving processes of creation.























