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Magnum Editions: Dexter Gordon, Freddie Hubbard and Ron Carter in France, 1985
A jazz fan since his teens, Guy Le Querrec has been documenting the jazz scene for decades. Says Le Querrec: āJazz ā my ears, my heart, my emotions need it. Its cadences, its rhythms⦠And then thereās that crucial word: to practice a photography of improvisation.ā The fact is, he stays tuned into the music as he works. āI donāt cut out sound.ā For that reason it has been said that his eye listens. āHis indisputable success in the attempt to reveal the true intimacy of jazz is owed to his inordinate passion that borders on empathy,ā points out StĆ©phane Ollivier in the preface to Jazz Comme Une Image, 10 Ans de Banlieues Bleue.
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Magnum Editions: Dexter Gordon, Freddie Hubbard and Ron Carter in France, 1985
Magnum Editions: Dexter Gordon, Freddie Hubbard and Ron Carter in France, 1985
A jazz fan since his teens, Guy Le Querrec has been documenting the jazz scene for decades. Says Le Querrec: āJazz ā my ears, my heart, my emotions need it. Its cadences, its rhythms⦠And then thereās that crucial word: to practice a photography of improvisation.ā The fact is, he stays tuned into the music as he works. āI donāt cut out sound.ā For that reason it has been said that his eye listens. āHis indisputable success in the attempt to reveal the true intimacy of jazz is owed to his inordinate passion that borders on empathy,ā points out StĆ©phane Ollivier in the preface to Jazz Comme Une Image, 10 Ans de Banlieues Bleue.
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Magnum Editions: Dexter Gordon, Freddie Hubbard and Ron Carter in France, 1985ā
$400.00
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A jazz fan since his teens, Guy Le Querrec has been documenting the jazz scene for decades. Says Le Querrec: āJazz ā my ears, my heart, my emotions need it. Its cadences, its rhythms⦠And then thereās that crucial word: to practice a photography of improvisation.ā The fact is, he stays tuned into the music as he works. āI donāt cut out sound.ā For that reason it has been said that his eye listens. āHis indisputable success in the attempt to reveal the true intimacy of jazz is owed to his inordinate passion that borders on empathy,ā points out StĆ©phane Ollivier in the preface to Jazz Comme Une Image, 10 Ans de Banlieues Bleue.











