Magnum Poster: Glasgow, Scotland, 1980
In 1980 French Magnum photographer Raymond Depardon was commissioned by The Sunday Times Magazine to photograph Scotland’s largest city: Glasgow, on the River Clyde. The city has long been known for its architectural heritage – from its majestic Victorian squares to stern rows of tenements and brutal industrial giants – much of this building being the product of the city’s great Victorian-era wealth. However, in spite of this prosperous past and the city’s pivotal role in Britain’s industrial and cultural development, numerous areas of Glasgow were – at the time of Depardon’s visit – poverty stricken. The photographer focused his work on Glasgow’s famed slums and dock areas, capturing the imposing architecture and broad vistas, as well as the resilient nature of the city’s inhabitants.
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Magnum Poster: Glasgow, Scotland, 1980
Magnum Poster: Glasgow, Scotland, 1980
In 1980 French Magnum photographer Raymond Depardon was commissioned by The Sunday Times Magazine to photograph Scotland’s largest city: Glasgow, on the River Clyde. The city has long been known for its architectural heritage – from its majestic Victorian squares to stern rows of tenements and brutal industrial giants – much of this building being the product of the city’s great Victorian-era wealth. However, in spite of this prosperous past and the city’s pivotal role in Britain’s industrial and cultural development, numerous areas of Glasgow were – at the time of Depardon’s visit – poverty stricken. The photographer focused his work on Glasgow’s famed slums and dock areas, capturing the imposing architecture and broad vistas, as well as the resilient nature of the city’s inhabitants.
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Description
In 1980 French Magnum photographer Raymond Depardon was commissioned by The Sunday Times Magazine to photograph Scotland’s largest city: Glasgow, on the River Clyde. The city has long been known for its architectural heritage – from its majestic Victorian squares to stern rows of tenements and brutal industrial giants – much of this building being the product of the city’s great Victorian-era wealth. However, in spite of this prosperous past and the city’s pivotal role in Britain’s industrial and cultural development, numerous areas of Glasgow were – at the time of Depardon’s visit – poverty stricken. The photographer focused his work on Glasgow’s famed slums and dock areas, capturing the imposing architecture and broad vistas, as well as the resilient nature of the city’s inhabitants.
