Magnum Poster: Harbour of Kowloon, Hong Kong, 1952
Werner Bischof was born in Switzerland in 1916. He studied photography with Hans Finsler in his native Zurich at the School for Arts and Crafts, then opened a photography and advertising studio.
In 1942, he became a freelancer for Du magazine, which published his first major photo essays. In the years that followed, Bischof traveled in Italy and Greece for Swiss Relief, an organization dedicated to post-war reconstruction. He was the first photographer to join Magnum with the founding members in 1949. Disliking the ‘superficiality and sensationalism’ of the magazine business, he devoted much of his working life to looking for order and tranquility in traditional culture. Despite this he worked on commission in Japan, Korea, Hong Kong and Indochina.
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Magnum Poster: Harbour of Kowloon, Hong Kong, 1952
Magnum Poster: Harbour of Kowloon, Hong Kong, 1952
Werner Bischof was born in Switzerland in 1916. He studied photography with Hans Finsler in his native Zurich at the School for Arts and Crafts, then opened a photography and advertising studio.
In 1942, he became a freelancer for Du magazine, which published his first major photo essays. In the years that followed, Bischof traveled in Italy and Greece for Swiss Relief, an organization dedicated to post-war reconstruction. He was the first photographer to join Magnum with the founding members in 1949. Disliking the ‘superficiality and sensationalism’ of the magazine business, he devoted much of his working life to looking for order and tranquility in traditional culture. Despite this he worked on commission in Japan, Korea, Hong Kong and Indochina.
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Description
Werner Bischof was born in Switzerland in 1916. He studied photography with Hans Finsler in his native Zurich at the School for Arts and Crafts, then opened a photography and advertising studio.
In 1942, he became a freelancer for Du magazine, which published his first major photo essays. In the years that followed, Bischof traveled in Italy and Greece for Swiss Relief, an organization dedicated to post-war reconstruction. He was the first photographer to join Magnum with the founding members in 1949. Disliking the ‘superficiality and sensationalism’ of the magazine business, he devoted much of his working life to looking for order and tranquility in traditional culture. Despite this he worked on commission in Japan, Korea, Hong Kong and Indochina.
