Panoptikum
Herbert List was fascinated by the âartificial humansââlife-size figures moulded in waxâon display at the Panoptikum in Viennaâs Prater. In 1944, he photographed these waxworks, depicting them as âcorpses set in position and daubed with make-upâfrozen in poses of the utmost intensity, they are inhabitants of a Sleeping Beauty castle.â List took a string of fairytale scenes, historical tableaux, and medical subjects and combined them with a trenchant text to create an illustrated book that is now being published for the first time, more than seventy-five years later, in a bibliophile edition based on Listâs original draft. An accompanying volume of commentary places the work in the context of his artistic oeuvre and the history of PrĂ€uscherâs Panoptikum in Vienna, where popular scientific interest was mixed in the nineteenth century with a sensationalist fascination for erotica and exotica. Herbert List (1903 â 1975) emigrated from Germany in 1936 as an artist influenced by surrealism and the New Objectivity. He then took pictures in southern Europe and lived in Athens until the German invasion. After the war, he became increasingly interested in portraiture, reportage, and street photography and worked for the Magnum agency.
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Panoptikum
Panoptikum
Herbert List was fascinated by the âartificial humansââlife-size figures moulded in waxâon display at the Panoptikum in Viennaâs Prater. In 1944, he photographed these waxworks, depicting them as âcorpses set in position and daubed with make-upâfrozen in poses of the utmost intensity, they are inhabitants of a Sleeping Beauty castle.â List took a string of fairytale scenes, historical tableaux, and medical subjects and combined them with a trenchant text to create an illustrated book that is now being published for the first time, more than seventy-five years later, in a bibliophile edition based on Listâs original draft. An accompanying volume of commentary places the work in the context of his artistic oeuvre and the history of PrĂ€uscherâs Panoptikum in Vienna, where popular scientific interest was mixed in the nineteenth century with a sensationalist fascination for erotica and exotica. Herbert List (1903 â 1975) emigrated from Germany in 1936 as an artist influenced by surrealism and the New Objectivity. He then took pictures in southern Europe and lived in Athens until the German invasion. After the war, he became increasingly interested in portraiture, reportage, and street photography and worked for the Magnum agency.
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Description
Herbert List was fascinated by the âartificial humansââlife-size figures moulded in waxâon display at the Panoptikum in Viennaâs Prater. In 1944, he photographed these waxworks, depicting them as âcorpses set in position and daubed with make-upâfrozen in poses of the utmost intensity, they are inhabitants of a Sleeping Beauty castle.â List took a string of fairytale scenes, historical tableaux, and medical subjects and combined them with a trenchant text to create an illustrated book that is now being published for the first time, more than seventy-five years later, in a bibliophile edition based on Listâs original draft. An accompanying volume of commentary places the work in the context of his artistic oeuvre and the history of PrĂ€uscherâs Panoptikum in Vienna, where popular scientific interest was mixed in the nineteenth century with a sensationalist fascination for erotica and exotica. Herbert List (1903 â 1975) emigrated from Germany in 1936 as an artist influenced by surrealism and the New Objectivity. He then took pictures in southern Europe and lived in Athens until the German invasion. After the war, he became increasingly interested in portraiture, reportage, and street photography and worked for the Magnum agency.























