Contact Sheet Print: Marilyn Monroe. New York, 1956
Having dedicated a lifetime to the observation and documentation of the United States, Elliott Erwittās work now stands as a testament to what it means to be a modern American. From grandstanding politicians and celebrity culture, to cinematic vistas, Erwittās vision of the nation manages to be both unique in perspective and universally affecting. Erwitt photographed Marilyn Monroe a number of times during her career, making a point to always treat her the same as he would any other subject. As he frequently insists, it isnāt his way to āsmarm upā to celebrities. Though he has taken some of the most iconic images of the last half century, Erwitt is always matter-of-fact about his process: āYou just walk around and look at things and try to put them in the frame. And hope that you will have got something.ā
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Contact Sheet Print: Marilyn Monroe. New York, 1956
Contact Sheet Print: Marilyn Monroe. New York, 1956
Having dedicated a lifetime to the observation and documentation of the United States, Elliott Erwittās work now stands as a testament to what it means to be a modern American. From grandstanding politicians and celebrity culture, to cinematic vistas, Erwittās vision of the nation manages to be both unique in perspective and universally affecting. Erwitt photographed Marilyn Monroe a number of times during her career, making a point to always treat her the same as he would any other subject. As he frequently insists, it isnāt his way to āsmarm upā to celebrities. Though he has taken some of the most iconic images of the last half century, Erwitt is always matter-of-fact about his process: āYou just walk around and look at things and try to put them in the frame. And hope that you will have got something.ā
Original: $280.00
-65%$280.00
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Having dedicated a lifetime to the observation and documentation of the United States, Elliott Erwittās work now stands as a testament to what it means to be a modern American. From grandstanding politicians and celebrity culture, to cinematic vistas, Erwittās vision of the nation manages to be both unique in perspective and universally affecting. Erwitt photographed Marilyn Monroe a number of times during her career, making a point to always treat her the same as he would any other subject. As he frequently insists, it isnāt his way to āsmarm upā to celebrities. Though he has taken some of the most iconic images of the last half century, Erwitt is always matter-of-fact about his process: āYou just walk around and look at things and try to put them in the frame. And hope that you will have got something.ā





















